Cropping With Ockham’s Razor
To be remembered one day is an unspoken desire of most people. It’s one of those little motivating factors that drive us to chase a dream of creating things, be it art or music or prose. After all, why throw it at the wall if you don’t want it to stick, or at least leave a mark, right? And if you couldn’t care less about that as an artist, you can rest assured that at least SOMEONE out there does, judging from the number of magazines and blogs and television shows that exist solely to document these works.
A late-night thinking binge took me down the rabbit hole, considering that today’s artists will be remembered or even rediscovered in quite a different fashion from those who came before. What’s odd is that instead of learning about me in libraries or museums, someone will find my life’s work via some internet search, scattered among loosely-related images and links chosen by some algorithm. A life I stumbled into, stumbled upon via a search routine designed to guide some randomly-chosen whim, and forgotten the instant that their search leads them down another rabbit hole.
It’s all very fleeting in nature, and I’m only just discovering the beauty in that with reference to reinventing one’s self; although there exists the possibility of such digital cataloging to create a whole other picture of oneself that stands in stark contrast to the that which we’d like to be remembered.
That said, I find it logical to believe the most successful artists of the future will ply their craft not so much in creating images, but managing their image. Live by the blade of the internet or die by underestimating its sharpness. Funny how that all works out.