It’s Nothing Without the Paper
An interesting thought I’ve been pondering in the background for quite some time:
I’m sick and tired of hearing people bash digital artwork and conceptual work as being something less than a sketch on paper. Absolutely done with it. And I’m talking about the work involving creating that which doesn’t exist, not hacking two photos you found on Google together to put another pony car on a set of off-the-shelf rims. I’m talking pure conceptual work here.
Let’s consider a pencil and marker sketch versus one created on a tablet using pixels, or even a photograph: It’s not as though a photograph is providing you with a small, actual landscape or an 8×10-inch person to tote around; nor does the marker rendering, or even the digital sketch/painting. All are artistic REPRESENTATIONS of something, and require a certain set of skills to create with any success. Don’t get me wrong, there is a HUGE gap between the good and the terrible, and that comes down to knowing the tools (doubly-so for a digital artist seeking to emulate a traditional tool or media, as that artist needs to have experience in physical AND digital media) and using them as a craftsman should. There is good art in any medium, be it sculpture or painting or drawing or photography or motion pictures and more. Ability and drive and vision aren’t limited to one tool, and if you think that they are, then you are severely limiting your outlook.
The digital stuff suffers because it’s created using a bunch of ones and zeros and can be wiped from existence with a key stroke, but it has the ability to exist everywhere. You can scan an analog piece and share in that instant, global sharing, much as you can with a digital photograph… And you can lose the original by spilling coffee on it as well.
Oddly enough, each is nothing without the paper it’s presented upon. So do tell me again where digital art is some lesser form because doesn’t exist until it’s on paper. And good luck sharing that original analog piece on social media without scanning it into bytes of data. Tell me how digital “ruins” the art. Go right on ahead.