Builder VS Accessory Installer

patina squarebody
I was recently asked an interesting, if not loaded question:
 
“Why do you hate patina builds?”
 
And that had the effect of pissing me off, because it proves that very few of these motherfuckers read anything beyond a word or two. I don’t “hate” patina. That would be a logical impossibility, or at the very last a psychotic reaction to something meaningless on any scale of importance, no matter how pathetic or sheltered your life may be. It simply wouldn’t make its way onto my list of things I truly give a shit about if I had to carry that list deep into the ten thousandth power.
 
“A better way to phrase this,” I responded, “would be to ask why I hold little respect for calling them ‘builds’ in the first place. And I say ‘little’ because with anything, there may always be an exception. I like to leave room for that, just in case.”
 
There is no design. There is no requirement of planning, beyond shopping in a catalog for what parts to replace with new bolt-in’s. It is an act of pure accessorizing, with apologies to that word for lessening its meaning in this respect. Unless you are creating an entirely new chassis, engineering fresh parts and whatnot to make this particular “barn find” (and for fuck’s sake, enough applying that word to every damned vehicle that has oxidized paint – if you literally discover a barn lost to the ages, and there is a mystery vehicle inside of that building, then yes, you have a barn FIND. We have been over this ad nauseam.) into something far outside of anything seen before in functionality, then you’re simply cloning the last 600 features from that magazine, you half-wit. To say that you “designed” a patina “build” is tantamount to saying that you “invented” a new dish for dinner, because you accidentally spilled canned chili on the spaghetti. Your reference to yourself as a “builder” or “designer” are what I’d refer to as “a real head-scratcher”, or maybe something closer to “obscenely over-optimistic”. What you do is truly something that anyone with some hand tools and general knowledge could pull off. It’s the color-by-number of the hot rod world. If it weren’t, there would be some variety. Think about it.
 
I view this “barn find, patina truck” scene as the dope-addled cousin of the “rat rod” movement: It’s a cliched caricature of anything it set out to be. These guys thought that a crusty exterior, set on a stance that looks broken at best was a way to be unique… a rebellion against a “sea of red ’32 Fords.” Now we have a sea of rusty C-10’s on smoothie wheels that look like the suspension just gave up. Sweet turn radius, pal. Almost as cool as that flat-brimmed hat holding your ears in. Can never be too safe.

I work my days away trying to help clients get the most of their vision into a build. I enjoy the guys who have PASSION and drive. That willingness to dive in and create something unique… an expression of an emotion in a mechanical object. These are the clients and the sort of car guys I want to be around, and enjoy the company of. On the other hand, I see the “patina” guys as looking for the quickest buy-in, and can’t jump that hurdle.

 
In fact, when you consider it, calling yourself a “builder” if all you do is slap a few parts, smoothie wheels and some airbags from a catalog under a rusty vehicle, that’s like playing the video game Rock Band, and calling yourself a “musician”. I certainly wouldn’t sign you on. Besides, I’ve heard that song played correctly a million times before. Even your best note-for-note rendition brings on a yawn no matter how ironic that retro script is across the face of your late-model amp.
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About drawinghotrods

I draw cars. I also provide full-service hot rod design and illustration, custom car, graphic and web design tailored to the custom automotive aftermarket, including logos, branding, project planning and research, and even apparel design. Need an ad, some copy, or a jump on social media? I do that, too. My mission is straightforward: To consistently provide the ultimate in design creativity and customer service, with an experience and artistic vision that is second to none. While working to raise the standard of automotive illustration, I seek to educate the public with regard to the labor and sacrifice required to create a work of fine art.

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